This Drifting Excrement Was Far Too Symbolic! It's the Television Disappointments of the Year.

Looking back, we reflect on the TV offerings of the past year, a selection of series emerge not for their brilliance, but for their spectacular shortcomings. Ranging from cringe-inducing spin-offs to bafflingly poor documentaries, here are the productions that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate spin-off? Burdened with dreadful scripts, painful arcs (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series fought to justify its existence. For a moment, as the final season started, it looked like it had at last found its groove. Then came an episode centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the last series. It concluded on a bum note; the lingering shot of Miranda’s toilet full of poo was just way too symbolic. Still, viewers certainly found joy picking apart every single “wtf?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who didn’t let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the smallest of this drama's problems. The recipient of a very rare no-star assessment, it was difficult to know where to start enumerating the flaws. The hilariously wooden writing? The tedious veneration of wealth and materialism? The seemingly wilful procession of tropes? Performances so bad they felt almost spiteful? Suffice it to say “all of the above” and forget about this series again. Except, a new season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse allegations and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have known it from this three-part documentary which chuckled along at Sheen’s various bouts of self-destructive excess while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being indulged, so any pity this show might evoke should be reserved for the people who have had to endure close contact with this charismatic but flippant egotist.

The Iris Affair

Of course we understood it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

MobLand

Dodgy characters convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is unfair on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge baffling accents. But there were plenty of other issues. Primarily that it was just really boring; a dispute over narcotics territory between various London rogues which seemed rather simplistic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of the nation’s performatively enraged commentators, it’s almost easy to admire the Duchess of Sussex’s televised ventures into twee homemaking as deliberate statements. But then you view them and are forced to admit that in this case, they may have a point. It’s like watching a lifestyle catalogue animated; a meme for wine o’clock with delusions of grandeur; a procession of snoozing dogs, humming beehives, Hallmark sayings and pointless crafting “hacks” you’ll not remember instantly. All supported by immense, largely unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about regarding Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this three-part series chose not to say them. Rather, the viewing was akin to consuming a sales catalogue. She obviously has good reason to resent what she describes as her “stern” image. But sadly, she didn’t do herself any helps with this cagey non-event of a series.

The Game Show

It should have been the next big hit – except even camper, with a famous star playing dead and a sharp-tongued personality managing her estate. What more could you ask for? As contestants competed, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a production that was straining desperately to live up to something far greater than it.

Too Much

How does one follow a show that captured a generation? The expectation was enormous for this starry romantic comedy about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of celebrity cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of talented emerging comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a single joke milked to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled sensitively. Instead, the series struggled painfully to find the right tone, lurching from strangely breezy, somewhat mannered farce to ultimately, real-life horror. Twisted? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we buy him playing the most brilliant maths genius since, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? Nope! This globe-trotting thriller about government agencies spying on – and eliminating – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality notorious for sexual escapades as she undertook her most extreme feat yet. What on earth would motivate her? What we wanted was far greater interrogation of her actual psyche, plus those of the men in the line. They could at least have spoken to the legendary mum who showed up to haul her son out of the queue. What we got was horrific shots and zero interrogation of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.

Melinda Rivas
Melinda Rivas

Elara Vance is a tech strategist and digital marketing consultant with over a decade of experience helping businesses leverage technology for growth.